The loose and playful technique Damien Florebert Cuypers employs in the creation of his wonderful fashion illustrations is envy-inducing. I can vouch for this as someone who struggles to loosen up their own drawing style (I blame my OCD tendencies).
Damien’s drawings are exuberant drawings. They lift your spirit with their bright colours and dynamic energy. I really enjoyed following his New York Fashion Week sketchbook diary this year and thought I’d share some of my favourite illustrations from his website.
I first came across the work of The Green Dandelion, when the floral details of Julie and Nate’s wedding caught my eye. Captured in all their botanical beauty by photographer Phil Chester, the organic arrangements venture outside the usual scope of traditional wedding arrangements in the best possible way.
The Green Dandelion, a Portland-based, mother-daughter team who specialise in eco-friendly weddings and event floral design. By “incorporating recycled materials and organic, locally grown flowers, (The Green Dandelion) strive(s) to mimic the natural beauty of the world and re-create it through our work”.
Carolina Melis is a creative jack-of-all-trades who started her career as a choreographer before moving into design. She specialised in illustration and animation direction at Central Saint Martins in London. She then went on to work on a number of creative projects from high profile commercials to music videos, corporate identities, textile and set design.
One of her more recent ventures is Mio Karo, a company that produces fine rugs and wall hangings inspired by Sardinian traditional motifs. Handmade in the small village of Nule in Sardinia, the rugs and wall hangings are made using,
“…the pibiones weaving technique (that) is most commonly found in the central and eastern areas of Sardinia. This is a particular type of stitched relief, created from the countless grains that make up the design. These are made by twisting the yarn around a needle which is arranged in a horizontal position on the loom; the needle is then pulled away, thereby creating a raised effect (grains). Operated entirely by hand, including the slay mechanism, i.e. the working phase effected by a complicated mechanism moved by the hands and feet which tightens the weft yarns one against the other once they have passed over the pin.”
Today I thought I would offer up some sartorial inspiration for the male contingent of my readers (if there are any). I have written about New Zealand men’s clothing and accessories label I Love Ugly before (see here and here), but, their new Spring 2014 collection was too good to pass up.
I Love Ugly is known for treating print and illustration on clothing in an inspired way, and this collection is no different. I particularly liked how the graphic iconography of nautical flags are translated into sophisticated silhouettes and striking prints.
Although I have never been, India seems like a country that gives you sensory overload. The sheer amount of people, coupled with an aesthetic sensibility and culinary culture that believes “more is more”, is a recipe for an opulent and multilayered visual culture.
I came across this article on Architectural Digest‘s website that documents Vincent Leroux’s photographs of the colourful regional architecture of Tirunamavalai, in South India. These houses are said to be a labour of love for the families who live in them. Families plan, build, and paint these unique homes, that are noteworthy for their unusual combinations of asymmetrical geometry and colour.
These houses are posited as an inspiration to Italian architect and industrial designer Ettore Sottsass, who visited India numerous times in the 1960′s.
Sottsass founded The Memphis Group in 1980 in response to ambient minimalism and functionalism. Pinned as an significant group of the Postmodern architecture and design movement, the aesthetic of The Memphis Group is defined by their use of asymmetrical shapes, “bright colours, kitsch suburban motifs and cheap materials like plastic laminates”. Here are some examples of his work:
The work of creative duo JUCO is a bright collision of colour and pattern. I was particularly taken by this shoot that extends print-centric clothing to large-scale painted backdrops.
“JUCO represents the collaborative work of Julia Galdo and Cody Cloud. They first met at The San Francisco Art Institute in 2002 where Cody received his MFA in photography and Julia her BFA. Their first projects together were actually class assignments. Team JUCO is based in Los Angeles, CA. They enjoy plants (on many levels), thrift stores (deeply) and the beach (when the time is right).”
“giantLION is a line of handcrafted jewellery formed in 2011, distilled from the fascinations of owner and designer, Caroline Whittington Young. Using raw stones, bronze, sterling silver and 14k gold, Caroline crafts delicate, timeless pieces that draw inspiration from nature, history and symbology.”
The lookbook for the giantLION spring/summer 2014 collection showcases Caroline’s cohesive and elegant collection of rings, necklaces and earrings, all of which I would love to own. The collection was beautifully styled and modelled by Ali Breslin, and photographed by Kate Edwards. It also features the lovely clothing of fashion designer Ilana Kohn.